Publication:
Titus Burckhardt ve Mimaride Dini Sembolizm

dc.contributor.authorsİSMAİL TAŞPINAR
dc.date.accessioned2022-03-15T17:16:28Z
dc.date.accessioned2026-01-11T13:23:53Z
dc.date.available2022-03-15T17:16:28Z
dc.date.issued2017-12-28
dc.description.abstractTitus Burckhardt, Gelenekselci Ekole mensup en önemli filozoflardan biridir.Araştırmalarını Hikmet ve Geleneğin metafizik boyutları ve onlarınsanat ve mimarideki tezahürleri üzerinde yapan Burckhardt, düşünceleriniİslam sanatı ve mimarisindeki çalışmalarıyla ortaya koymuştur. MakaledeBurckhardt’ın Gelenekselci sanat bakış açısına göre mimari yapılara dairgörüşleri ele alınmaktadır. Burckhardt’a göre, İslam mimarisinin enönemli özelliği, ‘birlik’ yani ‘tevhid’ sembolizmi dayalı bir yapıya sahip olmasıdır.Kabe, İslam’ın ilk mimari yapısı olması hem de sembolizmi bakımındanmerkezi bir öneme sahiptir. Burckhardt, İslam dini mimarisindeözellikle ikonalara yer verilmemesini Tanrı ile insan arasında hiçbir varlığınyer alamayacağını ifade eden ‘anikonizm’ ya da ‘ikonasızcılık’ olaraktanımlamaktadır.
dc.description.abstractTitus Burckhardt, was one of the most famous Traditionalist philosopher in the last century. He devoted his life to the study and exposition of the different aspects of Wisdom and Tradition. Burckhardt was one of the most remarkable exponents of universal truth, in the realm of metaphysics as well as in the realm of cosmology and of traditional art. This article aims to explain some aspects of his approach to the architecture in general and the Islamic architecture especially. The ‘unity’ is the principal dimension of the Islamic architecture. According to Burckhardt, the Kaʿba is the very primordial architecture on the earth that has an cosmologic symbolism. It has literally central importance for its architecture. Every Muslim faces the Kaʿba to recite the canonical prayers, and every mosque is accordingly orientated in this direction. For Burckhardt, the non using of image or as he says the ‘aniconism’ is also one of the most exeptional part of Islamic art and architecture. According to him, the aniconism preserves the primordial dignity of man, whose form, ‘made in the image of God’; on the other hand, nothing that could possibly be an idol, may interpose itself between man and the invisible presence of God.
dc.identifier.doi10.17131/milel.377641
dc.identifier.issn1304-5482;2564-6478
dc.identifier.urihttps://hdl.handle.net/11424/254156
dc.language.isotur
dc.relation.ispartofMilel ve Nihal İnanç, Kültür ve Mitoloji Araştırmaları Dergisi
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectSanat
dc.subjectKültürel Çalışmalar
dc.subjectDin Bilimi
dc.titleTitus Burckhardt ve Mimaride Dini Sembolizm
dc.title.alternativeTitus Burckhardt and Religious Symbolism in Architecture
dc.typearticle
dspace.entity.typePublication
oaire.citation.endPage174
oaire.citation.issue2
oaire.citation.startPage160
oaire.citation.titleMilel ve Nihal İnanç, Kültür ve Mitoloji Araştırmaları Dergisi
oaire.citation.volume14

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